One of the the things she most liked about the city -apart from all its obvious attractions, the theatre, the galleries, the exhilarating walks by the river- was that so few people ever asked you personal questions.

Julia Gregson (b.1947), East of the Sun

Tea at the Ritz is the last delicious morsel of Edwardian London. The light is kind, the cakes are frivolous and the tempo is calm, confident and leisurely.

Helen Simpson (b.1959), The London Ritz Book of Afternoon Tea

This was London, in all its filth and glory. Nostalgic for the past, while yearning to cast off the chains of bygone ages and step forward into the bright utopia of the future. Proud of its achievements, yet despising its own flaws. A monster in both size and nature, that would consume the unwary and spit them out again, in forms unrecognizable and undreamt. London, the monster city.

Marie Brennan (b.1980), With Fate Conspire

Because it is the triumph of a lack of planning –both for good and bad. It’s chaos –and whether you say that with a gasp of despair or glee or both is up to you. Whereas Paris (certainly in the centre) is the success of a single overarching monomaniacal topographic vision, London is a chaotic patchwork of history, architecture, style, as disorganised as any dream, and like any dream possessing an underlying logic, but one that we can’t quite make sense of, though we know it’s there. A shoved-together city cobbled from centuries of distinct aesthetics disrespectfully clotted in a magnificent triumph of architectural philistinism. A city of jingoist sculptures, concrete caryatids, ugly ugly ugly financial bombast, reconfiguration. A city full of parks and gardens, which have always been magic places, one of the greenest cities in the world, though it’s a very dirty shade of green –and what sort of grimy dryads does London throw up? You tell me.

China Miéville (b.1972)

London? It’s a city full of sleepwalkers chasing other people’s dreams.

Steve Merrick (b.1965)